Free Lyrics 2026

Afghan Whigs, The ~ Son Of The South


Jane had a bottle of pills She kept beside her bed She took a couple when the sky came falling down "what do you see in me" She used to say out loud I see myself in a year If i'm still around & i don't feed the doll no no Jane used to touch herself to make it go away The loneliness that would follow her all around & hold her pretty hand & wanna be her friend & hold the ceiling when the sky came falling down I don't really need you But since you're here Tell me all about yourself my dear Are you queer? What happened to your wrists Do you need some help I can't be checking on you like this all the time You want some help then bleed somebody else You know you ain't gonna be mine more free lyrics

Jane had a bottle of pills
She kept beside her bed
She took a couple when the sky came falling down
"what do you see in me"
She used to say out loud
I see myself in a year
If i'm still around
& i don't feed the doll no no
Jane used to touch herself to make it go away
The loneliness that would follow her all around
& hold her pretty hand
& wanna be her friend
& hold the ceiling when the sky came falling down
I don't really need you
But since you're here
Tell me all about yourself my dear
Are you queer?
What happened to your wrists
Do you need some help
I can't be checking on you like this all the time
You want some help then bleed somebody else
You know you ain't gonna be mine

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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