Free Lyrics 2026

Alphaville ~ Those Were The Days


There is a landscape in my head I sometimes travel But this is strictly after dark Beyond the barricades and trenches There stands the factory Hand me the costum of the sad acrobat And he says: Son, this is the bread i break for you But do not touch it And he says: Son, this is the wine i pour for you But do not drink it Dein aschenes haar, sulamith And he says: Son, this is the bread i break for you Son, this is the wine i pour for you But do not drink it, don't drink at all.. There is a stranger on the shore I sometimes travel But this is strictly in my dreams He feeds the seagulls in the winds with ashes And as he speaks he's got my father's voice And he says: Son, here is some bread i broke for you Son, here is some wine.. Those were the days, my friend Dein aschenes haar, sulamith Der tod ist ein meister aus deutschland more free lyrics

There is a landscape in my head
I sometimes travel
But this is strictly after dark
Beyond the barricades and trenches
There stands the factory
Hand me the costum of the sad acrobat
And he says:
Son, this is the bread i break for you
But do not touch it
And he says:
Son, this is the wine i pour for you
But do not drink it
Dein aschenes haar, sulamith

And he says:
Son, this is the bread i break for you
Son, this is the wine i pour for you
But do not drink it, don't drink at all..

There is a stranger on the shore
I sometimes travel
But this is strictly in my dreams
He feeds the seagulls in the winds with ashes
And as he speaks he's got my father's voice
And he says:
Son, here is some bread i broke for you
Son, here is some wine..

Those were the days, my friend
Dein aschenes haar, sulamith
Der tod ist ein meister aus deutschland

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Globalized Sounds

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The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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