Free Lyrics 2026

Billie Holiday ~ (you Ain't Gonna Bother Me) No More


Toots camarata / bob russell You ain't gonna bother me no more Nohow Love just goes so far No more Woke up this morining and found I didn't care for you no more Nohow Never felt so good before You're down to my size It's over and done So honey, step down from your throne That look in your eyes Don't bother me none Can take or leave you alone From my window Skys ain't grey nomore Not now Here's the day That i've been waiting for Got only one heart One heart with no spares Must save it for loving Somebody who cares So you ain't gonna bother me No more, no more more free lyrics

Toots camarata / bob russell

You ain't gonna bother me no more
Nohow
Love just goes so far
No more
Woke up this morining and found
I didn't care for you no more
Nohow
Never felt so good before
You're down to my size
It's over and done
So honey, step down from your throne
That look in your eyes
Don't bother me none
Can take or leave you alone
From my window
Skys ain't grey nomore
Not now
Here's the day
That i've been waiting for
Got only one heart
One heart with no spares
Must save it for loving
Somebody who cares
So you ain't gonna bother me
No more, no more

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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